ARTMargins Home Exhibitions Calendar Details - "Gender Check" - Feminist Art in Eastern Europe (Vienna)

Calendar

Event 

Title:
"Gender Check" - Feminist Art in Eastern Europe (Vienna)
When:
11.12.2009 - 02.10.2010
Where:
Museum Moderner Kunst Stiftung Ludwig - Wien
Category:
Exhibitions

Description

Twenty years after the fall of the Iron curtain this exhibition will be dedicated to depicting issues of gender and the role of the sexes in the art of Eastern Europe.

Subject-specific paintings, photographs, posters, sculptures, installations, films and videos produced since the mid-Sixties by around 70 artists in individual Eastern and South-Eastern European countries will be shown and will reflect on the socio-political developments in popular culture as well as the successors of the avant-garde. The 'genderless society' propagated in communism was not reflected in equality between male and female artists. It was only in the 1970s that women artists who were concerned with a critical confrontation with role clichés through performative and body-related art made their appearance. However in the 1980s this development which has been called 'latent feminism' lost importance as a consequence of the reception of neo-conservative painting. With the collapse of the communist regimes at the beginning of the 1990s, tendencies towards nationalism, capitalism, religion and patriarchy increased in Eastern Europe. This was accompanied by conservative notions of gender roles and provided a challenge to analytical artistic positions. The exhibition will take place on the initiative and with the support of the ERSTE Stiftung.

Curator: Bojana Pejic

13.11.09–14.02.10
Opening: November 12, 2009–7.00 p.m.

Venue

Map
Venue:
Museum Moderner Kunst Stiftung Ludwig   -   Website
Street:
Museumsplatz 1
ZIP:
A-1070
City:
Wien
Country:
Country: at

Description

The aim of MUMOK is to preserve, enlarge, analyze, and make available to the public the collection of artworks from the 20th and 21st centuries, compiled since the opening of the Museum of 20th Century Art, by applying state-of-the-art scientific and museological methods. The Museum serves as collection site, archive, research institution, and exhibition venue.

A key concern is the debate on contemporary art. For this reason the Museum organizes events and discussions designed to raise awareness for new and experimental art, as well as to convey information on recent art history and theory. MUMOK’s commitment to both history and present and its museological, scientific and educational mission demands its profound engagement in the collection, research and communication of international artworks of modernism, the recent past, and the present.
With its emphasis on Pop Art and Photorealism, taken from the Austrian Ludwig Foundation, Fluxus and Nouveau Réalisme, taken from the Hahn Collection, and Viennese Actionism, MUMOK offers a unique blend of art focusing on society and reality as well as of performative art of the 20th century.

As the largest Austrian museum for international modern and contemporary art, MUMOK promotes the museological integration of Austrian art and art discourse into an international context and simultaneously conveys internationality within its local environment. MUMOK communicates the social relevance of art by illustrating the changes in art perception and their causes, both historical and contemporary. With reference to the present, MUMOK participates in the socio-political discourse and opposes tendencies which challenge the freedom of art and cultural policy.

ARTMargins is Going Print

ARTMargins will release its first issue in April 2012 (MIT Press). The print publication joins the well-known ARTMargins website, which was started in 1999. ARTMargins will publish articles, essays, reviews, and interviews that critically reflect on Eastern European contemporary art and curatorship in an expanded context comprising Eurasia, North Africa, the Middle East, Latin America, and Central Asia.

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From the Archive

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  • Interview with the Ukrainian art collective R.E.P.

 

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