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Ostalgia at the New Museum (Review Article) Print E-mail
Articles
Susan Snodgrass (Chicago)   
Friday, 23 December 2011 00:00

Chto Delat?, Timeline, Installation view, Photo: Benoit Pailley, courtesy of New MusuemOstalgia, The New Museum, New York, July 14-October 2, 2011

The narrative of nostalgia defines the exhibition Ostalgia, an unconventional survey of more than 50 artists from various countries in Eastern Europe and the former Soviet Republics, whose "main protagonist," states curator Massmilano Gioni, is "the overarching ideology of Soviet Socialism." The show's title is taken from the German word Ostalgie or "nostalgia for the East" that emerged in the early 1990s to describe a longing for Germany pre-unification, and later elsewhere in Eastern and Western Europe as a collective mourning for the communist past...

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Troubles with History: Skopje 2014 Print E-mail
Articles
Jasna Koteska (Republic of Macedonia)   
Thursday, 29 December 2011 15:04

The Warrior on a Horse monument. The Image Courtesy of Build.mkSkopje, the capital of the Republic of Macedonia at the moment undergoes one of Europe’s biggest urban and art upheavals - the project is dubbed Skopje 2014. Labeled as a "building bonanza", by the British Guardian, Skopje 2014 project was planned by the Government for several years under relative lack of transparency, until it was officially presented in February 2010.

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Rearview Mirror: New Art From Central And Eastern Europe (Review Article) Print E-mail
Articles
Milena Tomic (London)   
Wednesday, 24 August 2011 17:07

Anetta Mona Chiºa & Lucia Tkáèová, 'Manifesto of the Futurist Woman (Let's Concude)', 2008, Colour video with sound, 11:13 min. Image courtesy of The Power Plant, Toronto. Photo by Steve Payne.

Identificatory scenarios abound in Rearview Mirror: New Art from Central and Eastern Europe, which is co-produced by The Power Plant Art Gallery in Toronto and the Art Gallery of Alberta in Edmonton. As the site of a subject’s first encounter with their own image as Other, the mirror appears in both literal and figurative guise in a number of the works on display here. And yet the subjectivities invoked in Rearview Mirror resist familiar calls to identification.

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Agency Gendered: Deconstructed Marriages and Migration Narratives in Contemporary Art Print E-mail
Articles
Beata Hock (Leipzig)   
Friday, 08 July 2011 13:25

Judit Kele: I am a Work of Art, 1979–2009; installation. Image courtesy of the artistThroughout the past two years and in three consecutive exhibitions the Budapest Ludwig Museum has displayed parts of its collection, with an accent on recently acquired or rarely seen artworks. The show Kind of Change, which ran between March and May 2011, offered pieces purchased by or donated to the Ludwig between 2009-2011. The museum's board selected works by Hungarian artists who have already entered the national canon of contemporary art, or who have made a name for themselves internationally, as well as works by a younger generation of East-Central European artists who are anticipated to become household names on the European scene.

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ARTMargins is Going Print

ARTMargins will release its first issue in February 2012 (MIT Press). The print publication joins the well-known ARTMargins website, which was started in 1999. ARTMargins will publish articles, essays, reviews, and interviews that critically reflect on Eastern European contemporary art and curatorship in an expanded context comprising Eurasia, North Africa, the Middle East, Latin America, and Central Asia.

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From the Archive

ARTMargins has published more than 650 articles, reviews and interviews since 1999. Click here to browse the ARTMargins archive.

Forthcoming

  • ARTMargins Takes a Snapshot of the Serbian Art Scene
  • Interview with the Ukrainian art collective R.E.P.

 

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