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Interviews
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Ileana Pintilie (Timişoara)
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Thursday, 17 December 2009 13:42 |
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 Ileana Pintilie: As an artist, you are hard to pinpoint not only in the context of contemporary Romanian art, but also in the context of Central and Eastern European art. You started your work in the early 1970s during the Communist period. You have experienced the barrier of censorship and you have had difficulties to exhibit what you wanted (this made you withdraw from public life in the 1980s).
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Interviews
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Katarzyna Pabijanek (Budapest)
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Sunday, 20 December 2009 12:22 |
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 Katarzyna Pabijanek: My first question concerns the Women’s House (Sunglasses) project you started in 1998. It has just been shown at the Muzeum Sztuki in Łódź (Practice Makes the Master, curated by Magdalena Ziółkowska). Could you say something about the background of the project and, especially, about its current Polish version?
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Interviews
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Réka Deim (Budapest)
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Wednesday, 30 December 2009 21:02 |
Réka Deim: As project director of Transitland. Video Art from Central and Eastern Europe 1989-2009 archiving project, why do you find the examination of video art in post-Socialist countries relevant?
Margarita Dorovska: The project brings to the attention of the general public diverse artists' observations and positions on a very recent period that is yet to become history and subject of re-evaluation. Transitland is definitely also of interest to art historians and curators as it contains works to be re-discovered, but also works that have never been widely shown.
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5 Interviews
